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American stone band

Steely Dan
Steely Dan performing in 2007. Walter Becker (l) playing electric guitar, Donald Fagen (r) playing melodica.

Steely Dan performing in 2007. Walter Becker (l) playing electrical guitar, Donald Fagen (r) playing melodica.
Background information
Origin Annandale-on-Hudson, New York, United States
Genres
  • Jazz stone
  • soft rock [1]
  • pop rock[2]
  • jazz fusion[3]
Years active 1971–1981, 1993–present
Labels
  • ABC
  • MCA
  • Behemothic
  • Reprise
  • Warner Bros.
Associated acts
  • Jay and the Americans
  • Doobie Brothers
  • New York Rock and Soul Revue
  • Dukes of September Rhythm Revue
  • Toto[iv]
  • Larry Carlton
Website steelydan.com
Members Donald Fagen
Past members
  • Walter Becker
  • Jeff Baxter
  • Denny Dias
  • Jim Hodder
  • David Palmer
  • Royce Jones
  • Michael McDonald
  • Jeff Porcaro

Steely Dan is an American stone band founded in 1971 at Bard Higher in Annandale-on-Hudson, New York by core members Walter Becker (guitars, bass, bankroll vocals) and Donald Fagen (keyboards, lead vocals). Blending elements of stone, jazz, Latin music, R&B, dejection[5] and sophisticated studio production with ambiguous and ironic lyrics, the ring enjoyed critical and commercial success starting from the early 1970s until breaking upward in 1981.[five] Initially the band had a stable lineup, but in 1974, Becker and Fagen retired the band from live performances altogether to become a studio-only band, opting to record with a revolving cast of session musicians. Rolling Rock has called them "the perfect musical antiheroes for the Seventies".[6]

After the group disbanded in 1981, Becker and Fagen were less active throughout most of the adjacent decade, though a cult following[5] remained devoted to the group. Since reuniting in 1993, Steely Dan has toured steadily and released two albums of new material, the first of which, 2 Against Nature, earned a Grammy Award for Album of the Year. They take sold more than xl one thousand thousand albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001.[vii] [8] [nine] [ten] VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time.[11] Rolling Rock ranked them No. 15 on its listing of the 20 Greatest Duos of All Time.[12] Founding member Walter Becker died on September 3, 2017, leaving Fagen as the sole official member.

History [edit]

Determinative and early years (1967–1972) [edit]

Becker and Fagen met in 1967 at Bard College, in Annandale-on-Hudson, New York. Every bit Fagen passed by a café, The Red Balloon, he heard Becker practicing the electrical guitar."[13] In an interview, Fagen recounted the experience: "I hear this guy practising, and it sounded very professional and gimmicky. It sounded like, y'all know, like a black person, really."[13] He introduced himself to Becker and asked, "Exercise you want to be in a band?"[13] Discovering that they enjoyed similar music, the ii began writing songs together.

Becker and Fagen began playing in local groups. One such group – known as the Don Fagen Jazz Trio, the Bad Stone Group and later the Leather Canary – included time to come one-act star Chevy Hunt on drums. They played covers of songs past The Rolling Stones ("Dandelion"), Moby Grape ("Hey Grandma"), and Willie Dixon ("Spoonful"), as well as some original compositions.[13] Terence Boylan, another Bard musician, remembered that Fagen took readily to the beatnik life while attending college: "They never came out of their room, they stayed up all night. They looked like ghosts—blackness turtlenecks and skin so white that it looked similar yogurt. Absolutely no activity, chain-smoking Lucky Strikes and dope."[13]

Later on Fagen graduated in 1969, the two moved to Brooklyn and tried to peddle their tunes in the Brill Building in midtown Manhattan. Kenny Vance (of Jay and the Americans), who had a production office in the building, took an interest in their music, which led to work on the soundtrack of the low-upkeep Richard Pryor picture show You've Got to Walk It Like You Talk It or You'll Lose That Beat. Becker after said bluntly, "We did it for the money."[14] A serial of demos from 1968 to 1971 are available in multiple different releases, non authorized past Becker and Fagen.[15] This collection features approximately 25 tracks and is notable for its sparse arrangements (Fagen plays solo pianoforte on many songs) and lo-fi product, a contrast with Steely Dan's later work. Although some of these songs ("Caves of Altamira", "Brooklyn", "Barrytown") were re-recorded for Steely Dan albums, most were never officially released.

Becker and Fagen joined the touring band of Jay and the Americans for most a year and a half.[xvi] They were at first paid $100 per testify, simply partway through their tenure the ring's tour director cut their salaries in half.[16] The grouping's lead singer, Jay Black, dubbed Becker and Fagen "the Manson and Starkweather of rock 'n' roll", referring to cult leader Charles Manson and spree killer Charles Starkweather.[16]

They had little success after moving to Brooklyn, although Barbra Streisand recorded their song "I Hateful To Shine" on her 1971 Barbra Joan Streisand album. Their fortunes inverse when one of Vance's associates, Gary Katz, moved to Los Angeles to become a staff producer for ABC Records. He hired Becker and Fagen as staff songwriters; they flew to California. Katz would produce all their 1970s albums in collaboration with engineer Roger Nichols. Nichols would win six Grammy Awards for his piece of work with the band from the 1970s to 2001.[17]

As well realizing that their songs were too complex for other ABC artists, at Katz's suggestion Becker and Fagen formed their own band with guitarists Denny Dias and Jeff "Skunk" Baxter, drummer Jim Hodder and singer David Palmer, and Katz signed them to ABC equally recording artists. Fans of Beat Generation literature, Fagen and Becker named the band after a "revolutionary" steam-powered dildo mentioned in the William S. Burroughs novel Naked Lunch.[18] [19] [20] Palmer joined every bit a 2d pb vocalist because of Fagen'southward occasional stage fright, his reluctance to sing in front of an audition, and because the characterization believed that his voice was not "commercial" enough.

In 1972, ABC issued Steely Dan'southward start single, "Dallas", backed with "Canvas the Waterway". Distribution of "stock" copies available to the general public was evidently extremely limited;[21] the single sold so poorly that promotional copies are much more than readily bachelor than stock copies in today's collectors marketplace. As of 2015, "Dallas" and "Sheet the Waterway" are the just officially released Steely Dan tracks that have not been reissued on cassette or compact disc. In an interview (1995), Becker and Fagen called the songs "stinko."[22] "Dallas" was later on covered by Poco on their Head Over Heels album.

Can't Purchase a Thrill and Countdown to Ecstasy (1972–1973) [edit]

Tin't Buy a Thrill, Steely Dan'south debut album, was released in 1972. Its hit singles "Do It Once more" and "Reelin' In the Years" reached No. 6 and No. xi respectively on the Billboard singles chart. Forth with "Muddy Work" (sung past David Palmer), the songs became staples on radio.

Because of Fagen's reluctance to sing alive, Palmer handled about of the song duties on stage. During the first tour, however, Katz and Becker decided that they preferred Fagen'southward interpretations of the ring's songs, persuading him to take over. Palmer quietly left the group while it recorded its second album; he afterward co-wrote the No. ii hit "Jazzman" (1974) with Carole Male monarch.

Released in 1973, Countdown to Ecstasy was non as commercially successful every bit Steely Dan's first album. Becker and Fagen were unhappy with some of the performances on the record and believed that it sold poorly considering it had been recorded hastily on tour. The anthology'due south singles were "Show Biz Kids" and "My Onetime School", both of which stayed in the lower half of the Billboard charts (though "My Old School" and—to a lesser extent—"Bodhisattva" became FM Rock staples in fourth dimension).

Pretzel Logic and Katy Lied (1974–1976) [edit]

Guitarist Jeff "Skunk" Baxter left Steely Dan in 1974 when they ceased performing alive and began working in the studio exclusively.

Pretzel Logic was released in early 1974. A diverse gear up, it includes the grouping's most successful single, "Rikki Don't Lose That Number" (No. 4 on the Billboard Hot 100), and a notation-for-note rendition of Duke Ellington and James "Bubber" Miley'due south "Eastward St. Louis Toodle-Oo".

During the previous album's tour, the band had added vocalist-percussionist Royce Jones, vocalizer-keyboardist Michael McDonald, and session drummer Jeff Porcaro.[23] Porcaro played the sole drum track on 1 song, "Night Past Night" on Pretzel Logic (Jim Gordon played drums on all the remaining tracks, and he and Porcaro both played on "Parker's Band"), reflecting Steely Dan's increasing reliance on session musicians (including Dean Parks and Rick Derringer). Jeff Porcaro and Katy Lied pianist David Paich would go on to grade Toto. Striving for perfection, Becker and Fagen sometimes asked musicians to record as many as forty takes of each rail.[24]

Pretzel Logic was the first Steely Dan album to feature Walter Becker on guitar. "Once I met [session musician] Chuck Rainey", he explained, "I felt there really was no need for me to exist bringing my bass guitar to the studio anymore".[24]

A rift began growing between Becker-Fagen and Steely Dan's other members (particularly Baxter and Hodder), who wanted to bout. Becker and Fagen disliked constant touring and wanted to concentrate solely on writing and recording. The other members gradually left the ring, discouraged by this and by their diminishing roles in the studio. However, Dias remained with the group until 1980'southward Gaucho and Michael McDonald contributed vocals until the group's twenty-year hiatus afterward Gaucho. Baxter and McDonald went on to join The Doobie Brothers. Steely Dan's final bout performance was on July five, 1974, a concert at the Santa Monica Civic Auditorium in California.[25]

Becker and Fagen recruited a diverse group of session players for Katy Lied (1975), including Porcaro, Paich, and McDonald, every bit well every bit guitarist Elliott Randall, jazz saxophonist Phil Forest, saxophonist/bass-guitarist Wilton Felder, percussionist/vibraphonist/keyboardist Victor Feldman, keyboardist (and later producer) Michael Omartian, and guitarist Larry Carlton—Dias, Becker, and Fagen beingness Steely Dan's merely original members. The album went gold on the strength of "Black Friday" and "Bad Sneakers", but Becker and Fagen were so dissatisfied with the anthology'south sound (compromised past a faulty DBX noise reduction system) that they publicly apologized for information technology (on the album's back cover) and for years refused to mind to information technology in its final form.[26] Katy Lied also included "Doctor Wu" and "Concatenation Lightning".

The Royal Scam and Aja (1976–1978) [edit]

The Royal Scam was released in May 1976. Partly because of Carlton's prominent contributions, it is the ring's most guitar-oriented album. Information technology also features performances by session drummer Bernard Purdie. The album sold well in the Us, though without the force of a hit single. In the United kingdom the unmarried "Haitian Divorce" (Acme twenty) drove album sales, becoming Steely Dan's beginning major hit there.[27] Steely Dan'south 6th album, the jazz-influenced Aja, was released in September 1977. Aja reached the Top V in the U.S. charts within iii weeks, winning the Grammy award for "Engineer – Best Engineered Recording – Not-Classical." Information technology was besides one of the first American LPs to be certified 'platinum' for sales of over i meg albums.[28] [29]

Roger [Nichols] made those records sound like they did. He was extraordinary in his willingness and desire to make records sound better.[30]

The records we did could not take been washed without Roger. He was just maniacal well-nigh making the sound of the records be what we liked... He ever idea at that place was a better style to exercise it, and he would detect a mode to exercise what nosotros needed to in means that other people hadn't done yet.[31]

~ Steely Dan producer Gary Katz regarding Roger Nichols' role in the band'southward recording legacy.

Featuring Michael McDonald'due south backing vocals, "Peg" (No. 11) was the album'due south first single, followed by "Josie" (No. 26) and "Deacon Blues" (No. xix). Aja solidified Becker'south and Fagen'due south reputations as songwriters and studio perfectionists. Information technology features such jazz and fusion luminaries as guitarists Larry Carlton and Lee Ritenour; bassist Chuck Rainey; saxophonists Wayne Shorter, Pete Christlieb, and Tom Scott; drummers Steve Gadd, Rick Marotta and Bernard Purdie; pianist Joe Sample and ex-Miles Davis pianist/vibraphonist Victor Feldman and Grammy laurels-winning producer/arranger Michael Omartian (piano).

Planning to tour in support of Aja, Steely Dan assembled a live band. Rehearsal ended and the tour was canceled when backing musicians began comparing pay.[32] The album's history was documented in an episode of the TV and DVD series Classic Albums.

Subsequently Aja'due south success, Becker and Fagen were asked to write the title track for the movie FM. The movie was a box-office disaster, but the song was a hit, earning Steely Dan another engineering Grammy laurels. It was a minor hit in the Great britain and barely missed the Top 20 in the U.Due south.A.[27]

Gaucho and breakup (1978–1981) [edit]

Becker and Fagen took a break from songwriting for most of 1978 earlier starting work on Gaucho. The project would not become smoothly: technical, legal, and personal setbacks delayed the anthology's release and subsequently led Becker and Fagen to suspend their partnership for over a decade.[33]

Misfortune struck early when an banana engineer accidentally erased nearly of "The Second System", a favorite track of Katz and Nichols,[34] which was never recovered. More problem — this time legal — followed. In March 1979, MCA Records bought ABC, and for much of the next two years Steely Dan could not release an album. Becker and Fagen had planned on leaving ABC for Warner Bros. Records, just MCA claimed ownership of their music, preventing them from changing labels.

Turmoil in Becker'due south personal life also interfered. His girlfriend died of a drug overdose in their Upper West Side apartment, and he was sued for $17 1000000. Becker settled out of court, but he was shocked by the accusations and by the tabloid printing coverage that followed. Soon after, Becker was struck by a taxi while crossing a Manhattan street, shattering his correct leg in several places and forcing him to use crutches.

Even so more legal trouble was to come. Jazz composer Keith Jarrett sued Steely Dan for copyright infringement, claiming that they had based Gaucho'south championship rails on one of his compositions, "Long As You lot Know You lot're Living Yours" (Fagen later admitted that he'd loved the vocal and that it had been a strong influence).[35]

Gaucho was finally released in November 1980. Despite its tortured history, it was another major success. The album's first single, "Hey Nineteen", reached No. x on the pop chart in early on 1981, and "Time Out of Mind" (featuring guitarist Mark Knopfler of Dire Straits) was a moderate hit in the spring. "My Rival" was featured in John Huston's 1980 picture Phobia. Roger Nichols won a tertiary technology Grammy award for his work on the album.

Fourth dimension off (1981–1993) [edit]

Steely Dan disbanded in June 1981.[36] Becker moved to Maui, where he became an "avocado rancher and self-styled critic of the gimmicky scene."[37] He stopped using drugs, which he had used for most of his career.[38] [39] [40] Meanwhile, Fagen released a solo anthology, The Nightfly (1982), which went platinum in both the U.Southward. and the UK and yielded the Top Xx hitting "I.One thousand.Y. (What a Beautiful World)." In 1988 Fagen wrote the score of Bright Lights, Large Urban center and a song for its soundtrack, but otherwise recorded little. He occasionally did product work for other artists, as did Becker. The most prominent of these were two albums Becker produced for the British sophisti-pop grouping People's republic of china Crunch, who were strongly influenced by Steely Dan.[41] Becker is listed as an official member of People's republic of china Crisis on the showtime of these albums, 1985'due south Flaunt the Imperfection, and played keyboards on the band's Top 20 UK hit "Black Man Ray". For the 2d of the two albums, 1989's Diary of a Hollow Horse, Becker is only listed as a producer and not equally a band member.

In 1986 Becker and Fagen performed on Zazu, an album by former model Rosie Vela produced by Gary Katz.[42] The 2 rekindled their friendship and held songwriting sessions between 1986 and 1987, leaving the results unfinished.[43] On October 23, 1991, Becker attended a concert by New York Rock and Soul Revue, co-founded past Fagen and producer/singer Libby Titus (who was for many years the partner of Levon Helm of The Band and would later on become Fagen's wife), and spontaneously performed with the group.

Becker produced Fagen's 2nd solo album, Kamakiriad, in 1993. Fagen conceived the album as a sequel to The Nightfly.[ commendation needed ]

Reunion, Alive in America (1993–2000) [edit]

Steely Dan, shown hither in 2007, toured oft after reforming in 1993.

Becker and Fagen reunited for an American tour to support Kamakiriad, which sold poorly despite a Grammy nomination for Album of the Year. With Becker playing atomic number 82 and rhythm guitar, the pair assembled a band that included a 2d keyboard thespian, second atomic number 82 guitarist, bassist, drummer, vibraphonist, three female bankroll singers, and four-piece saxophone section. Amongst the musicians from the live band, several would proceed to piece of work with Steely Dan over the adjacent decade, including bassist Tom Barney and saxophone players Cornelius Bumpus and Chris Potter. During this tour, Fagen introduced himself every bit "Rick Strauss" and Becker as "Frank Poulenc".

The next year, MCA released Citizen Steely Dan, a boxed prepare featuring their entire catalog (except their debut single "Dallas"/"Sheet The Waterway") on 4 CDs, plus four extra tracks: "Hither at the Western Earth" (originally released on 1978'south "Greatest Hits"), "FM" (1978 unmarried), a 1971 demo of "Everyone's Gone to the Movies" and "Bodhisattva (alive)", the latter recorded on a cassette in 1974 and released as a B-side in 1980. That twelvemonth Becker released his debut solo album, 11 Tracks of Whack, which Fagen co-produced.

Steely Dan toured again in support of the boxed prepare and Tracks. In 1995 they released a live CD, Alive in America, compiled from recordings of several 1993 and 1994 concerts. The Art Crimes Tour followed, including dates in the U.s., Japan, and their first European shows in 22 years. Later this activity, Becker and Fagen returned to the studio to brainstorm work on a new album.

Two Against Nature and Everything Must Go (2000–2003) [edit]

In 2000 Steely Dan released their showtime studio album in twenty years: Ii Confronting Nature. Information technology won four Grammy Awards: Best Engineered Anthology – Non-Classical, Best Pop Vocal Album, All-time Pop Functioning by Duo or Group with Song ("Cousin Dupree"), and Album of the Year (despite competition in this category from Eminem's The Marshall Mathers LP and Radiohead's Child A). In the summer of 2000, they began another American tour, followed by an international tour later that yr. The tour featured guitarist Jon Herington, who would go on to play with the band over the adjacent 2 decades. The group released the Plush Television set Jazz-Rock Party DVD, documenting a live-in-the-studio concert performance of popular songs from throughout Steely Dan's career. In March 2001, Steely Dan was inducted into the Stone and Roll Hall of Fame.[7] [viii]

In 2003 Steely Dan released Everything Must Go. In contrast to their earlier work, they had tried to write music that captured a alive feel. Becker sang lead vocals on a Steely Dan studio anthology for the first time ("Slang of Ages" — he had sung lead on his own "Volume of Liars" on Live in America). Fewer session musicians played on Everything Must Go than had become typical of Steely Dan albums: Becker played bass on every track and lead guitar on five tracks; Fagen added piano, electric piano, organ, synthesizers, and percussion on meridian of his vocals; touring drummer Keith Carlock played on every rail.

Firing of Roger Nichols [edit]

In 2002 during the recording of Everything Must Go, Becker and Fagen fired their engineer Roger Nichols, who had worked with them for thirty years, without explanation or notification, according to band biographer Brian Sweet'south 2018 revision of his book Reelin' in the Years. [44]

Touring, solo action (2003–2017) [edit]

To complete his Nightfly trilogy, Fagen issued Morph the Cat in 2006. Steely Dan returned to annual touring that year with the Steelyard "Sugartooth" McDan and The Fab-Originees.com Tour.[45] Despite much fluctuation in membership, the alive band featured mainstays Herington, Carlock, bassist Freddie Washington, the horn section of Michael Leonhart, Jim Pugh, Roger Rosenberg, and Walt Weiskopf, and backing vocalists Carolyn Leonhart and Cindy Mizelle. The 2007 Heavy Rollers Tour included dates in North America, Europe, Nihon, Australia, and New Zealand, making it their most expansive tour.[46]

The smaller Retrieve Fast Tour followed in 2008, with keyboardist Jim Beard joining the live band. That year Becker released a second album, Circus Money, produced by Larry Klein and inspired past Jamaican music. In 2009 Steely Dan toured Europe and America extensively in their Left Bank Holiday and Rent Party Tour, alternate between standard one-engagement concerts at large venues and multi-night theater shows that featured performances of The Royal Scam, Aja, or Gaucho in their entirety on certain nights. The following yr, Fagen formed the touring supergroup Dukes of September Rhythm Revue with McDonald, Boz Scaggs, and members of Steely Dan'due south live band, whose repertoire included songs by all iii songwriters. Longtime studio engineer Roger Nichols died of pancreatic cancer on April 10, 2011.[47] Steely Dan'due south Shuffle Diplomacy Tour that year included an expanded set list and dates in Commonwealth of australia and New Zealand. Fagen released his 4th anthology, Sunken Condos, in 2012. It was his first solo release unrelated to the Nightfly trilogy.

The Mood Swings: viii Miles to Pancake Twenty-four hour period Bout began in July 2013 and featured an eight-night run at the Beacon Theatre in New York City.[48] Jamalot Ever After, their 2014 United States tour, ran from July 2 in Portland, Oregon to September xx in Port Chester, New York.[49] 2015'south Rockabye Gollie Angel Tour included opening act Elvis Costello and the Imposters and dates at the Coachella Valley Music and Arts Festival. The Dan Who Knew Besides Much bout followed in 2016, with Steve Winwood opening. Steely Dan also performed at The Hollywood Bowl in Los Angeles with an accompanying orchestra.

The band played its final shows with Becker in 2017. In Apr, they played the 12-date Reelin' In the Chips residency in Las Vegas and Southern California.[50] Becker'south final performance came on May 27 at the Greenwich Town Party in Greenwich, Connecticut.[51] Due to illness, Becker did not play Steely Dan's 2 Classics East and West concerts at Dodger Stadium and Citi Field in July.[52] Fagen embarked on a tour that summertime with a new backing band, The Nightflyers.

After Becker'south death (2017–present) [edit]

Becker died from complications of esophageal cancer on September 3, 2017.[53] In a note released to the media, Fagen remembered his longtime friend and bandmate, and promised to "keep the music we created together alive equally long as I can with the Steely Dan band."[54] After Becker'due south death, Steely Dan honored commitments to perform a short North American tour in October 2017 and three concert dates in the United Kingdom and Ireland for Bluesfest on a double neb with the Doobie Brothers.[55] The ring played its first concert post-obit Becker'due south expiry in Thackerville, Oklahoma, on Oct 13.[55] In tribute to Becker, they performed his solo vocal "Book of Liars", with Fagen singing the atomic number 82 vocals, at several concerts on the tour.[56]

Becker'south widow and manor sued Fagen afterward that year, arguing that the estate should control 50% of the ring'due south shares.[57] Fagen filed a counter conform, arguing that the band had drawn upwards plans in 1972 stating that band members leaving the band or dying relinquish shares of the band's output to the surviving members. In Dec, Fagen said that he would rather accept retired the Steely Dan proper name after Becker'due south death, and would instead have toured with the current iteration of the group under another proper name, but was persuaded not to by promoters for commercial reasons.[58]

In 2018, Steely Dan performed on a summer tour of the United states of america with The Doobie Brothers as co-headliners.[59] The band likewise played a 9-prove residency at the Beacon Theatre in New York Metropolis that Oct.[60] In February 2019, the band embarked on a tour of Great Britain with Steve Winwood.[61] Guitarist Connor Kennedy of The Nightflyers joined the live band, starting time with a nine-dark residency at The Venetian Resort in Las Vegas in Apr 2019.[62]

Musical and lyrical manner [edit]

Music [edit]

Overall audio [edit]

Special attention is given to the individual sound of each musical instrument. Recording is washed with the utmost fidelity and attention to sonic detail, and mixed then that all the instruments are heard and none are given undue priority. Their albums are besides notable for the characteristically 'warm' and 'dry' production audio, and the sparing use of echo and reverberation.

Backing vocals [edit]

Becker and Fagen favored a distinctly soul-influenced style of backing vocals, which after the starting time few albums were almost always performed past a female chorus (although Michael McDonald features prominently on several tracks, including the 1975 song "Black Friday" and the 1977 song "Peg"). Venetta Fields, Sherlie Matthews and Clydie King were the preferred trio for backing vocals on the grouping'southward late 1970s albums.[63] Other backing vocalists include Timothy B. Schmit, Tawatha Agee, Brenda White-King, Carolyn Leonhart, Janice Pendarvis, Catherine Russell, Cynthia Calhoun, Victoria Cave, Cindy Mizelle, and Jeff Immature. The ring also featured singers like Patti Austin and Valerie Simpson on later projects such as Gaucho.

Horns [edit]

Horn arrangements have been used on songs from all Steely Dan albums. They typically feature instruments such equally trumpets, trombones and saxophones, although they have too used other instruments such as flutes and clarinets. The horn parts occasionally integrate simple synth lines to change the tone quality of private horn lines; for instance in "Deacon Blues" this was done to "thicken" one of the saxophone lines. On their before albums Steely Dan featured guest arrangers and on their later albums the organization work is credited to Fagen.

Composition and chord use [edit]

Steely Dan is famous for their use of chord sequences and harmonies that explore the area of musical tension between traditional pop sounds and jazz. In particular, they are known for their use of the add 2 chord, a type of added tone chord, which they nicknamed the mu major.[64] [65] [66] Other common chords used by Steely Dan include slash chords.

Lyrics [edit]

Steely Dan's lyrical subjects are diverse, merely in their basic approach they often create fictional personae that participate in a narrative or situation. The duo accept said that in retrospect, most of their albums accept a "feel" of either Los Angeles or New York City, the ii chief cities where Becker and Fagen lived and worked. Characters appear in their songs that evoke these cities. Steely Dan'due south lyrics are often puzzling to the listener,[67] with the true meaning of the vocal "uncoded" through repeated listening, and a richer understanding of the references inside the lyrics. In the song "Everyone's Gone to the Movies," the line "I know you're used to xvi or more than, sorry we just have eight" refers not to the count of some article, but to 8 mm film, which was lower quality than 16 mm or larger formats and often used for pornography, underscoring the illicitness of Mr. LaPage's film parties.[68]

Thematically, Steely Dan creates a universe peopled past losers, creeps and failed dreamers, often victims of their own obsessions and delusions. These motifs are introduced in the Dan'south first hit song, "Do Information technology Once more," which contains a clarification of a murderous cowboy who beats the gallows, a human taken advantage of by a adulterous girlfriend, and an obsessive gambler, all of whom are unable to control their own destinies; similar themes of existence trapped in a death spiral of 1'due south own making appear throughout their catalog. Other themes that they explore include prejudice, aging, poverty, and middle-course ennui.

Many would fence that Steely Dan never wrote a genuine love vocal, instead dealing with personal passion in the guise of a destructive obsession.[69] Many of their songs concern dearest, but typical of Steely Dan songs is an ironic or disturbing twist in the lyrics that reveals a darker reality. For example, expressed "honey" is actually about prostitution ("Pearl of the Quarter"), incest ("Cousin Dupree"), pornography ("Anybody's Gone to the Movies"), or another socially unacceptable subject.[70] However, some of their demo-era recordings testify Fagen and Becker expressing romance, including "This Seat'southward Been Taken", "Oh, Wow, Information technology'due south You lot" and "Come Dorsum Baby".

Steely Dan's lyrics contain subtle and encoded references, unusual (and sometimes original) slang expressions, a broad variety of "word games." The obscure and sometimes teasing lyrics have given rise to considerable efforts by fans to explicate the "inner pregnant" of certain songs.[71] [72] Jazz is a recurring theme, and at that place are numerous other pic, television and literary references and allusions, such every bit "Domicile at Terminal" (from Aja), which was inspired by Homer's Odyssey.[73]

Some of their lyrics are notable for their unusual meter patterns; a prime number example of this is their 1972 hitting "Reelin' In the Years", which crams an unusually large number of words into each line, giving it a highly syncopated quality.

"Name dropping" is another Steely Dan lyrical device; references to existent places and people abound in their songs. The vocal "My Quondam School" is an example, referring to Annandale (Annandale-on-Hudson, New York, is abode to Bard College, which both attended and where they met), and the 2 Against Nature album (2000) contains numerous references to the duo'south original region, the New York metro area, including the district of Gramercy Park, the Strand Bookstore, and the upscale nutrient store Dean & DeLuca. In the song "Glamour Profession" the conclusion of a drug deal is historic with dumplings at Mr. Chow, a Chinese restaurant in Beverly Hills. The band even employed self-reference; in the song "Show Biz Kids," the titular subjects are sardonically portrayed as owning "the Steely Dan T-shirt."

The ring also often name-checks drinks, typically alcoholic, in their songs: rum and cokes ("Daddy Don't Alive in That New York City No More"), piña coladas ("Bad Sneakers"), zombies ("Haitian Divorce"), black cows ("Black Cow"), Scotch whisky ("Deacon Blues"), retsina ("Habitation at Last"), grapefruit wine ("FM"), cerise vino ("Time Out of Listen"), Cuervo Gilded ("Hey 19"), kirschwasser ("Babylon Sisters"), Tanqueray ("Lunch with Gina"), Cuban breeze (Fagen's solo rails "The Goodbye Await"), and margaritas ("Everything Must Go") are all mentioned in Steely Dan lyrics.[74]

Members [edit]

Current members

  • Donald Fagen – pb vocals, keyboards, saxophone (1972–1981, 1993–present)

Quondam members

  • Walter Becker – guitar, bass, bankroll and lead vocals (1972–1981, 1993–2017; his death)
  • Jeff "Skunk" Baxter – guitar, backing vocals (1972–1974)
  • Denny Dias – guitar (1972–1974, studio contributions until 1977)
  • Jim Hodder – drums, bankroll and lead vocals (1972–1974; died 1990)
  • David Palmer – backing and pb vocals (1972–1973)
  • Royce Jones – bankroll vocals, percussion (1973–1974)
  • Michael McDonald – keyboards, bankroll vocals (1974, studio contributions until 1980)
  • Jeff Porcaro – drums (1974, studio contributions until 1980; died 1992)

Timeline [edit]

Discography [edit]

Studio albums

  • Can't Buy a Thrill (1972)
  • Countdown to Ecstasy (1973)
  • Pretzel Logic (1974)
  • Katy Lied (1975)
  • The Royal Scam (1976)
  • Aja (1977)
  • Gaucho (1980)
  • Two Against Nature (2000)
  • Everything Must Become (2003)

See also [edit]

  • List of songwriter tandems

References [edit]

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External links [edit]

  • Official website Edit this at Wikidata

gallaghergioneds.blogspot.com

Source: https://en.wikipedia.org/wiki/Steely_Dan

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